research

Four European show dates in October 2024.

For Patricia is a live performance for two dancers, two musicians, and one AI, based on the methods and movements of postmodern choreographer Trisha Brown.

From Jan 15 to March 9th, I’m in residency the National Centre for Dance Bucharest working on a new performance.

An in-depth look at the design and research behind the interactive dance work.

Longitudinal participatory research on interface design for professional performance.

The Game of Life is a sextet for three dancers and three musicians, whose ambition is to find new performative relationships between dance and music.

The Noiseboxes are a group of standalone embedded musical instruments that are the product of ongoing research on user-centered digital musical instrument design.

The Bionic Harpist is a is a research-creation collaboration with harpist Alexandra Tibbitts. Building upon a previous work Gestural Control of Augmented Instrumental Performance, we present a new musical interface for the concert harp.

“Design for Performance” is a project that entailed the development and execution of co-design workshops held with expert musicians to imagine novel musical instruments through design fiction.

In November 2018 I traveled to Norway to participate in a research workshop; afterwards I explored by train.

Digital musical instruments are frequently designed in research and experimental performance contexts but few are taken up into sustained use by active and professional musicians.

This research creation project explored interface design for gestural control of instrumental performance through a motion capture study and the development of new hardware and software.

AUMI - the Adaptive Use Musical Instrument - is a project that founded and directed by Pauline Oliveros. AUMI is an accessible digital musical instrument designed to allow individuals of all abilities to make music.