Publications

The AUMI Editorial Collective (Eds) (2024). Improvising Across Abilities: Pauline Oliveros and the Adaptive Use Musical Instrument. University of Michigan Press, Music and Social Justice.

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John Sullivan, Marcelo M Wanderley, Catherine Guastavino (2023). From Fiction to Function: Imagining New Instruments Through Design Workshops. Computer Music Journal.

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John Sullivan, Sarah Fdili Alaoui, Liz Santoro, Pierre Godard (2023). Embracing the messy and situated design of technology for dance. Designing Interactive Systems Conference (DIS ‘23).

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Brady Boettcher, John Sullivan, Marcelo M. Wanderley (2022). Slapbox: Redesign of a Digital Musical Instrument towards Reliable Long-Term Practice. Proceedings of the International Conference on New Interfaces for Musical Expression.

John Sullivan, Catherine Guastavino, Marcelo M. Wanderley (2022). Surveying Digital Musical Instrument Use in Active Practice. Journal of New Music Research.

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Raul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius (2021). NIME and the Environment: Toward a More Sustainable NIME Practice. Proceedings of the International Conference on New Interfaces for Musical Expression.

John D Sullivan (2021). Built for Performance: Designing Digital Musical Instruments for Professional Use. Ph.D. thesis, McGill University.

John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo M Wanderley (2020). Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proceedings of the International Conference on New Interfaces for Musical Expression.

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Filipe Calegario, Marcelo M Wanderley, João Tragtenberg, Johnty Wang, John Sullivan, Eduardo Meneses, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, Josh Rohs (2020). Probatio 1.0: Collaborative Development of a Toolkit for Functional DMI Prototypes. Proceedings of the International Conference on New Interfaces for Musical Expression.

John Sullivan, Marcelo M. Wanderley (2019). Surveying Digital Musical Instrument Use Across Diverse Communities of Practice. Proceedings of the International Symposium on Computer Music Multimedia Research.

John Sullivan, Marcelo M. Wanderley (2018). Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design. Proceedings of the 15th Sound and Music Computing Conference (SMC).

John Sullivan, Aditya Tirumala Bukkapatnam, Marcelo M. Wanderley (2018). Mid-Air Haptics for Digital Musical Instruments. CHI’18 Workshop on Mid-Air Haptics for Control Interfaces.

John Sullivan, Alexandra Tibbitts, Brice Gatinet, Marcelo M.M. Wanderley (2018). Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. Proceedings of the International Conference on Movement and Computing.

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Marcello Giordano, John Sullivan, Marcelo M. Wanderley (2018). Design of Vibrotactile Feedback and Stimulation for Music Performance. Musical Haptics, Springer Series on Touch and Haptic Systems.

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Alexandra Tibbitts, John Sullivan, Ólafur Bogason, Brice Gatinet (2018). A Method for Gestural Control of Augmented Harp Performance. Proceedings of the International Conference on Live Interfaces.

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Sandeep Bhagwati, Isabelle Cossette, Joanna Berzowska, Marcelo Wanderley, John Sullivan, Deborah Egloff, Marcello Giordano, Adam Basanta, Julian Stein, Joseph Browne, Alexandra Bachmeyer, Felix Del Tredici, Sarah Albu, Julian Klein (2016). Musicking the Body Electric: The "Body:Suit:Score" as a Polyvalent Score Interface for Situational Scores. Proceedings of the International Conference on Technologies for Music Notation and Representation (TENOR).

John Sullivan (2015). Noisebox : Design and Prototype of a New Digital Musical Instrument. Proceedings of the International Computer Music Conference.

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John Sullivan (2015). Interaction and the Art of User-Centered Digital Musical Instrument Design. Master’s thesis, University of Maine.